

- CONSUMPTION GETTING MORE CONSPICUOUS ONSTAGE HOW TO
- CONSUMPTION GETTING MORE CONSPICUOUS ONSTAGE PROFESSIONAL
How about the multi-functionality of fixtures? Should a church try to look for fixtures that can do double duty in a house of worship – for example acting as a house light during services and a color wash during events? We still use a lot of non-LED fixtures, but on new project designs we always look for an LED option first.” LED isn’t a magic bullet that negates the need for maintenance, but it does decrease the frequency and cost involved. Luckily the advancements in LED technology over the past few years have made this much less of an issue. “Unfortunately at many churches, especially churches new to using production in their services, this is an area that is all to commonly overlooked. How much attention do you think churches should devote to things like lamp replacement and power consumption when evaluating fixtures? Picking the right console is important, but getting that console laid out in a clear and organized fashion is even more important.”
CONSUMPTION GETTING MORE CONSPICUOUS ONSTAGE PROFESSIONAL
I’ve been a lighting professional for over 20 years but I will occasionally come across a console so confusing that makes me feel like it’s my first day. This is another area where console selection and layout is so important. “I worry less about a specific fixture and focus more on the tools we give a volunteer to interact with that fixture.

How can you judge how easy or difficult it would be for a volunteer to master a given fixture? Keeping the console well organized makes programming easier for our volunteers AND paid staff.” When we add a new fixture into any room we spend a lot of time on proper creation or palettes, macros, and effects to support this fixture. Although there are definitely consoles that are poorly designed to begin with, I think whether or not a console is “volunteer friendly” depends on how it is setup. A phrase I hear commonly from other churches is “I like console brand “XYZ” because it’s volunteer friendly.” I tend to disagree with this mindset. “We put a great deal of emphasis on proper setup and layout of all of our lighting consoles. I’m a firm believer in equipping volunteers with the tools and training they need to do the job rather than dumbing down a design to fit a lower level of experience.”Īre there any “tricks” to accomplishing the same (or almost the same) results with those “volunteer” fixtures as you can with the ones you’d select for pros? Do they have fly battens? Motorized truss? Lift access onstage? All of these factors should be consider when selecting equipment. What levels of experience? If volunteer, how much time do they have outside of running events to dedicate to maintenance? My next questions are about infrastructure. However, when I’m asked to consult with other churches, my first questions are always about their production team. This allows us to design systems based on the needs of the room and then staff it accordingly. “We are lucky at Church On The Move to have an incredible staff AND an extremely dedicated team of volunteers. Should this be a factor in which fixtures you choose fixtures for your church? Are there fixtures that you might select if you had professionals running your rig that you’d avoid if you had all volunteers? Many, if not most, churches rely on volunteers to run their lighting systems. We talked to Daniel about some of the things that are often overlooked when churches evaluate lighting products. His work combines a soaring creative vision with a down to earth sense of fitting his design to specific needs of every event or worship service. Prior to joining Church on the Move, Daniel was the LD for a number of major recording stars. Much of the ink in these stories has been devoted to Daniel’s standout lighting designs. Widely regarded as one of the leaders in worship technology, Church on the Move has been featured in industry publications like PLSN and Lighting and Sound America. We could think of no better person to help us answer this question than Daniel Connell, the lighting designer at Church on the Move in Tulsa, OK.
CONSUMPTION GETTING MORE CONSPICUOUS ONSTAGE HOW TO
Setting aside brand preferences and some of the more conspicuous performance features, how to you evaluate your lighting choices? Wading through all your options when doing a church lighting project can be a daunting task as anyone who’s ever walked through an LDI or WFX show will readily agree. Toggle Menu CHAUVET Professional Toggle Menu Rogue R2X Spot and R3 Spot (2) Road Case.Maverick MK2 Wash and MK Pyxis (4) Road Case.Maverick MK2 Spot/Profile and MK1 Spot/Hybrid (2) Road Case.
